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B aeolian dominant scale on guitar
B aeolian dominant has B, C♯, D♯, E, F♯, G, A. The Box 1 shape starts on the sixth string, seventh fret.
How it is built
Formula 1, 2, 3, 4, 5, ♭6, ♭7
How do you play the B aeolian dominant scale on guitar?
B aeolian dominant in box 1 runs from fret 0 to fret 3, 14 notes across 6 strings, from E on the low E string at fret 0 up to G on the high e string at fret 3. The root falls on the A string at fret 2 and the B string at fret 0.
Every note in this box, string by string
| String | Frets | Notes |
|---|---|---|
| 6 (E) | 0, 2, 3 | E, F♯, G |
| 5 (A) | 0, 2 | A, B |
| 4 (D) | 1, 2 | D♯, E |
| 3 (G) | 0, 2 | G, A |
| 2 (B) | 0, 2 | B, C♯ |
| 1 (e) | 0, 2, 3 | E, F♯, G |
Box 2 · frets 2–5
B aeolian dominant in box 2 runs from fret 2 to fret 5, 16 notes across 6 strings, from F♯ on the low E string at fret 2 up to A on the high e string at fret 5. The root falls on the A string at fret 2 and the G string at fret 4.
Every note in this box, string by string
| String | Frets | Notes |
|---|---|---|
| 6 (E) | 2, 3, 5 | F♯, G, A |
| 5 (A) | 2, 4 | B, C♯ |
| 4 (D) | 2, 4, 5 | E, F♯, G |
| 3 (G) | 2, 4 | A, B |
| 2 (B) | 2, 4, 5 | C♯, D♯, E |
| 1 (e) | 2, 3, 5 | F♯, G, A |
Box 3 · frets 5–8
B aeolian dominant in box 3 runs from fret 5 to fret 8, 13 notes across 6 strings, from A on the low E string at fret 5 up to B on the high e string at fret 7. The root falls on the low E string at fret 7 and the high e string at fret 7.
Every note in this box, string by string
| String | Frets | Notes |
|---|---|---|
| 6 (E) | 5, 7 | A, B |
| 5 (A) | 6, 7 | D♯, E |
| 4 (D) | 5, 7 | G, A |
| 3 (G) | 6, 8 | C♯, D♯ |
| 2 (B) | 5, 7, 8 | E, F♯, G |
| 1 (e) | 5, 7 | A, B |
Box 4 · frets 7–10
B aeolian dominant in box 4 runs from fret 7 to fret 10, 14 notes across 6 strings, from B on the low E string at fret 7 up to C♯ on the high e string at fret 9. The root falls on the low E string at fret 7, the D string at fret 9 and the high e string at fret 7.
Every note in this box, string by string
| String | Frets | Notes |
|---|---|---|
| 6 (E) | 7, 9 | B, C♯ |
| 5 (A) | 7, 9, 10 | E, F♯, G |
| 4 (D) | 7, 9 | A, B |
| 3 (G) | 8, 9 | D♯, E |
| 2 (B) | 7, 8, 10 | F♯, G, A |
| 1 (e) | 7, 9 | B, C♯ |
Box 5 · frets 9–12
B aeolian dominant in box 5 runs from fret 9 to fret 12, 16 notes across 6 strings, from C♯ on the low E string at fret 9 up to E on the high e string at fret 12. The root falls on the D string at fret 9 and the B string at fret 12.
Every note in this box, string by string
| String | Frets | Notes |
|---|---|---|
| 6 (E) | 9, 11, 12 | C♯, D♯, E |
| 5 (A) | 9, 10, 12 | F♯, G, A |
| 4 (D) | 9, 11 | B, C♯ |
| 3 (G) | 9, 11, 12 | E, F♯, G |
| 2 (B) | 10, 12 | A, B |
| 1 (e) | 9, 11, 12 | C♯, D♯, E |
Box 6 · frets 11–14
B aeolian dominant in box 6 runs from fret 11 to fret 14, 16 notes across 6 strings, from D♯ on the low E string at fret 11 up to F♯ on the high e string at fret 14. The root falls on the A string at fret 14 and the B string at fret 12.
Every note in this box, string by string
| String | Frets | Notes |
|---|---|---|
| 6 (E) | 11, 12, 14 | D♯, E, F♯ |
| 5 (A) | 12, 14 | A, B |
| 4 (D) | 11, 13, 14 | C♯, D♯, E |
| 3 (G) | 11, 12, 14 | F♯, G, A |
| 2 (B) | 12, 14 | B, C♯ |
| 1 (e) | 11, 12, 14 | D♯, E, F♯ |
Why it sounds like that
Raise the third of B natural minor from D to D♯ to form this scale. The intervals are 1, 2, 3, 4, 5, ♭6, ♭7. Compare with B natural minor to hear the change. The major third gives a dominant quality over the minor sixth.
When to use it
Use it over B major or B 5th chords in rock and metal. The ♭6 adds a dark flavor to dominant riffs. Try it over B major or B 5th.
Which position to practise
Practise Box 1 first. The root on the sixth string, seventh fret covers frets 0–3 and sets up Box 2.
Common questions
What notes are in B aeolian dominant?
The notes are B, C♯, D♯, E, F♯, G, A. The scale has a major third and a minor sixth. It is the fifth mode of E melodic minor.
Which chords work with B aeolian dominant?
The tonic chord is B major. You can also use B 5th power chords. Avoid chords with a natural sixth.
How does B aeolian dominant differ from B natural minor?
B aeolian dominant raises the third from D to D♯. This creates a major tonic triad instead of a minor one. The rest of the notes stay the same.