F♯ diminished chord on guitar (F♯dim)

Also called or written F♯dim or F♯°

F♯ diminished is built from F♯, A, and C. The 2nd fret shape is movable and mutes both the B and high E strings.

2frF♯CF♯AEADGBE
Positions on the neck1 of 5
Practice F♯ diminished chord

How it is built

F♯RootAMinor thirdCDiminished fifth

Formula 1, ♭3, ♭5

Inversions

How do you play an F♯ diminished chord on guitar?

F♯ diminished is played at the 2nd fret as 2 3 4 2 × ×: index finger on the low E string at fret 2, ring finger on the A string at fret 3, pinky finger on the D string at fret 4 and middle finger on the G string at fret 2. The B and high e strings stay muted.

Full note and interval breakdown
StringFretFingerNote
6 (E)21F♯ (1)
5 (A)33C (♭5)
4 (D)44F♯ (1)
3 (G)22A (♭3)
2 (B)muted
1 (e)muted

IntermediateThe 2nd fret shape demands a three-fret stretch across the low strings and precise muting of the B and high E strings, making it intermediate.

9th fret

F♯ diminished is played at the 9th fret as × 9 10 11 10 ×: index finger on the A string at fret 9, middle finger on the D string at fret 10, pinky finger on the G string at fret 11 and ring finger on the B string at fret 10. The low E and high e strings stay muted.

Full note and interval breakdown
StringFretFingerNote
6 (E)muted
5 (A)91F♯ (1)
4 (D)102C (♭5)
3 (G)114F♯ (1)
2 (B)103A (♭3)
1 (e)muted

F♯dim/A inversion · fret 3

F♯ diminished is played at the 3rd fret as 5 3 4 5 × ×: ring finger on the low E string at fret 5, index finger on the A string at fret 3, middle finger on the D string at fret 4 and pinky finger on the G string at fret 5. The B and high e strings stay muted.

Full note and interval breakdown
StringFretFingerNote
6 (E)53A (♭3)
5 (A)31C (♭5)
4 (D)42F♯ (1)
3 (G)54C (♭5)
2 (B)muted
1 (e)muted

F♯dim/A inversion · fret 5

F♯ diminished is played at the 5th fret as × × 7 5 7 5: ring finger on the D string at fret 7, index finger on the G string at fret 5, pinky finger on the B string at fret 7 and middle finger on the high e string at fret 5. The low E and A strings stay muted.

Full note and interval breakdown
StringFretFingerNote
6 (E)muted
5 (A)muted
4 (D)73A (♭3)
3 (G)51C (♭5)
2 (B)74F♯ (1)
1 (e)52A (♭3)

F♯dim/A inversion · fret 10

F♯ diminished is played at the 10th fret as × 12 10 11 10 ×: pinky finger on the A string at fret 12, index finger on the D string at fret 10, ring finger on the G string at fret 11 and middle finger on the B string at fret 10. The low E and high e strings stay muted.

Full note and interval breakdown
StringFretFingerNote
6 (E)muted
5 (A)124A (♭3)
4 (D)101C (♭5)
3 (G)113F♯ (1)
2 (B)102A (♭3)
1 (e)muted

Why it sounds like that

F♯ diminished uses the formula 1, ♭3, ♭5, producing F♯, A, and C. The flattened fifth gives the chord its tense, unstable quality. Contrast it with F♯ minor, which has a perfect fifth.

What goes wrong with F♯ diminished?

  • Letting the B string ring out, adding a B that is not part of F♯ diminished.
  • Letting the high E string ring out, adding an E that is not part of F♯ diminished.
  • Flattening the pinky on the D string, causing the 4th fret note to buzz.

When to use it

F♯ diminished functions as the vii° chord in G major, leading to G major. It also works as a passing chord between F♯ minor and G major. Use it in rock or jazz for a tense, dark color.

Changing to and from F♯ diminished

  • Slide the 2nd fret shape up one fret to the 3rd fret to get G diminished.
  • Move to F♯ minor by lifting the pinky from the D string's 4th fret and playing the 4th fret on the G string instead.

Which voicing to use

The 2nd fret shape is the most common and keeps the root F♯ in the bass. The 9th fret shape repeats the voicing higher. The F♯dim/A inversions place A in the bass, creating a more ambiguous sound.

Other F♯ chords

Common questions

How is F♯ diminished written?

F♯ diminished is written as F♯° or F♯dim. On a keyboard, use F# for the root. It is also spelled G♭ in enharmonic notation for the same sounding root.

What is the difference between F♯ diminished and F♯ minor?

F♯ diminished has a flattened fifth (C), while F♯ minor has a perfect fifth (C♯). The diminished fifth creates a more dissonant, tense sound.

Why are the B and high E strings muted in the 2nd fret shape?

The open B and high E strings are not chord tones of F♯ diminished. Muting them keeps the voicing clean and prevents an unwanted major second clash.