F♯ gypsy major scale on ukulele

F♯ gypsy major uses F♯, G, A♯, B, C♯, D, E♯. The 2–6 Box 1 grip puts the root on string 3, fret 6.

A♯BC♯DE♯F♯GA♯BC♯GCEA1234
Positions on the neck1 of 2

How it is built

F♯1G♭2A♯3B4C♯5D♭6E♯7

Formula 1, ♭2, 3, 4, 5, ♭6, 7

How do you play the F♯ gypsy major scale on ukulele?

F♯ gypsy major in box 1 runs from fret 1 to fret 4, 10 notes across 4 strings, from C♯ on the C string at fret 1 up to C♯ on the A string at fret 4. The root falls on the E string at fret 2.

Every note in this box, string by string
StringFretsNotes
4 (G)3, 4A♯, B
3 (C)1, 2C♯, D
2 (E)1, 2, 3E♯, F♯, G
1 (A)1, 2, 4A♯, B, C♯

Box 2 · frets 69

F♯ gypsy major in box 2 runs from fret 6 to fret 9, 9 notes across 4 strings, from F♯ on the C string at fret 6 up to F♯ on the A string at fret 9. The root falls on the C string at fret 6 and the A string at fret 9.

Every note in this box, string by string
StringFretsNotes
4 (G)6, 7C♯, D
3 (C)6, 7F♯, G
2 (E)6, 7, 9A♯, B, C♯
1 (A)8, 9E♯, F♯

Why it sounds like that

F♯ gypsy major is built as F♯ phrygian dominant with the seventh raised from E to E♯. The scale follows 1, ♭2, 3, 4, 5, ♭6, 7. Its step pattern is H, 1½, H, W, H, 1½, H. Compare it with F♯ phrygian dominant.

When to use it

Use F♯ gypsy major over an F♯ major or F♯ 5th chord for a sharp ♭2 and ♭6 colour. It fits F♯, G, A♯, B, C♯, D, E♯ harmony. Try it in Middle Eastern or fusion styles. See F♯ major and C♯ 7th flat 5.

Which position to practise

Practise Box 1 first. It keeps the root on string 3, fret 6 and covers frets 1–4, setting up the Box 2 shift.

Common questions

What notes are in F♯ gypsy major?

F♯, G, A♯, B, C♯, D, E♯. The scale has a major third and a raised seventh. It is also called Byzantine. It is also spelled G♭ in enharmonic notation for the same sounding root.

Which chords fit F♯ gypsy major?

F♯ major and F♯ 5th work as tonic chords. C♯ 7th flat 5 fits the fifth degree. D augmented matches the ♭6.

How does F♯ gypsy major differ from F♯ phrygian dominant?

F♯ gypsy major raises the seventh from E to E♯. This creates a leading tone to the tonic. The rest of the scale is identical.