B♭ 7th chord on bass (B♭7)

Also called or written B♭7, B♭, B♭ Dominant 7th or B♭ Major Minor 7th

B♭ 7th is built from B♭, D, F, and A♭. The 6th-fret shape mirrors A 7th one fret higher, so the pinky stretch on the A string is the main physical hurdle.

6frB♭FA♭DEADG
Positions on the neck1 of 4
Practice B♭ 7th chord

How it is built

B♭RootDMajor thirdFPerfect fifthA♭Minor seventh

Formula 1, 3, 5, ♭7

Inversions

How do you play a B♭ 7th chord on bass?

B♭ 7th is played at the 6th fret as 6 8 6 7: index finger on the E string at fret 6, pinky finger on the A string at fret 8, middle finger on the D string at fret 6 and ring finger on the G string at fret 7.

Full note and interval breakdown
StringFretFingerNote
4 (E)61B♭ (1)
3 (A)84F (5)
2 (D)62A♭ (♭7)
1 (G)73D (3)

AdvancedThe pinky must reach from the 6th fret to the 8th fret on the A string while the other fingers hold their frets cleanly.

B♭7/F inversion · open position

B♭ 7th is played in open position as 1 1 0 1: index finger on the E string at fret 1, middle finger on the A string at fret 1 and ring finger on the G string at fret 1. The D string rings open.

Full note and interval breakdown
StringFretFingerNote
4 (E)11F (5)
3 (A)12B♭ (1)
2 (D)openD (3)
1 (G)13A♭ (♭7)

B♭7/F inversion · fret 12

B♭ 7th is played at the 12th fret as 13 13 12 13: middle finger on the E string at fret 13, ring finger on the A string at fret 13, index finger on the D string at fret 12 and pinky finger on the G string at fret 13.

Full note and interval breakdown
StringFretFingerNote
4 (E)132F (5)
3 (A)133B♭ (1)
2 (D)121D (3)
1 (G)134A♭ (♭7)

B♭7/A♭ inversion

B♭ 7th is played at the 3rd fret as 4 5 3 3: ring finger on the E string at fret 4, pinky finger on the A string at fret 5, index finger on the D string at fret 3 and middle finger on the G string at fret 3.

Full note and interval breakdown
StringFretFingerNote
4 (E)43A♭ (♭7)
3 (A)54D (3)
2 (D)31F (5)
1 (G)32B♭ (1)

Why it sounds like that

B♭ 7th uses the formula 1, 3, 5, ♭7. The minor 7th interval between B♭ and A♭ gives the chord its dominant quality, and the diminished 5th between D and A♭ adds tension. Compare it with B♭ major, which omits the ♭7.

What goes wrong with B♭ 7th?

  • Letting the pinky collapse and buzz the A string at fret 8.
  • Allowing the ring finger to touch the D string and mute it.
  • Striking the open E string instead of fretting it at the 6th fret.

When to use it

B♭ 7th is the V chord in E♭ major, so it appears in progressions like E♭–A♭–B♭–E♭ (I–IV–V–I). Its dominant pull suits blues, jazz, and rock bass lines that resolve to E♭.

Changing to and from B♭ 7th

  • Move to E♭ major by lifting the pinky and shifting the index and middle fingers down one string each.
  • Slide the shape down one fret to the 5th fret to play A 7th.

Which voicing to use

The 6th-fret shape has B♭ in the bass and is the most direct voicing. The B♭7/F inversion at the 1st fret puts F in the bass for a smoother transition from E♭ major, while the B♭7/A♭ inversion at the 4th fret leads into E♭ major by step.

Other B♭ chords

Common questions

How is B♭ 7th written?

B♭ 7th is written as B♭7, or Bb7 in ASCII. It is also spelled A♯ in enharmonic notation for the same sounding root.

How does B♭ 7th differ from B♭ major?

B♭ 7th adds an A♭ note, the minor 7th, to the B♭ major triad. That A♭ creates a tritone with D, giving B♭ 7th its dominant tension.

Why is B♭ 7th called a dominant 7th chord?

B♭ 7th is built on the fifth degree of E♭ major, where it functions as the dominant. The name comes from that dominant function, not from the chord's internal intervals.